I’m in a similar position as Erik in that I need to find an NLE solution in this new post-FCP world, but Colorista II is a HUGE part of my workflow. Thanks Tim.įollow me on Twitter schwindt] “So let me make sure I’m understanding this right – does Colorista II work in Premiere Pro CS5.5? Specifically on a Mac? By copying the clips to a new sequence that solved the problem. If I could change the sequence settings from the XML FCP imported project I would be good to go, but they’re grayed out. I dont have unreal expectations only a thirst for knowledge, and how I can work with and get Ppro to work best for me. PPro does some things differently than FCP…that’s a given.” (Apple did not really present the 2009 changes as a major version upgrade and most of my colleagues who used FCP didn’t think of it that way either…) I understand that Premiere Pro loading FCP projects is hugely helpful for FCP users who have decided they need to migrate, but Adobe has had 4 drops (CS3, CS4, CS5, CS5.5) since FCP was last really structurally upgraded. Magic Bullet Cosmo II – features an improved skin smoothing algorithm to make talent really shine.Denoiser III – rewritten from scratch and now supported by powerful technology from wrnch, a Mark Cuban-backed computer vision technology startup.Magic Bullet Colorista IV – offers new guided color correction tool to speed up the post workflow while simultaneously educating editors.Magic Bullet Looks – now with over 200 Looks presets including 50 new Looks.Move forward 10 years and you have Magic Bullet Suite 13.“I’m not sure that expecting a 64 bit program designed and released in 2011 to read the third party hardware settings from a 32 bit program with only minor structural changes since 2007 (when Adobe was current as CS3 with no multiple sequence settings within a single project) is a realistic expectation. NEW – Renoiser – introducing the brand new grain engine that rebuilds footage with an incredibly authentic cinematic texture.Magic Bullet Film – Emulates the entire photochemical process for an authentic look.Mix and match 22 negative stocks and 4 print stocks. Includes accurate, measured film grain and a foolproof vignette tool. This latest version of the software includes GPU acceleration and color correction with OpenCL support for real-time playback in Adobe Premiere Pro CC.
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